Monday, July 29, 2013

I'm Too Young to Write a Poem


It would be offensive to write on singleness. 
I haven't learned to love the early quiet
in decades of mornings spent alone 
scrambling eggs and memorizing the
murmur of a waking apartment complex.

I can't write on the lifespan of a tragedy.
How an abandoned dream seeps into your
bones slowly like sun stroking furniture
into fade. How a death feels first like an
amputation. In time, an empty pocket.

I'm of an age where girls cry more at movies
than any true heartbreak & our parents 
are still middle aged & we've only known
two generations of family pets & boys
have been playmates longer than potentials.

I'm not even qualified to write on faith;
strong in the the theory of it, still stumbling
into practice. What do I know of dying
daily when I've just learned what death is? 
What have I sacrificed when I own nothing?

I'm too young to write a poem. 
         I'm still young enough to want to.

© Sarah Fletcher, 2013

"Getting Ready for the Movie"
Photo by Belinda Hankins Miller
from Wikimedia Images

Monday, July 22, 2013

A Hot August in the Sistine Chapel


Shoulder to sweaty shoulder they stand
Eyes focused upward, seeking the perfection painted there.
A naked Adam, perfect, muscular, and beautiful
Reclines on a cool, verdant slope
His left knee bent, supporting
A hand that reaches out
His finger gently touching that of the Creator
Unpainted, but implied, a spark leaps
Giving birth to the human soul.
Below, the sweltering crowd stares
Their gentle murmer growing in
A crescendo of wonder.
“Silencio. “ An Italian bass booms over the crowd
Too unruly for such a sacred place.
They quiet, wondering when they will be prodded back into the August heat
To make room for the next pilgrims.
They wait, struggling with this demand for reverence.
“Silencio.”  Again, the sinners are chastised.
They have failed to be worthy of such beauty.
© Carolyn Brumbaugh, 2013

 God Creates Adam, from Michaelangelo's Sistine Chapel ceiling
Photo from Wikimedia Commons

Monday, July 15, 2013

Upon Seeing Trout in a Plate


We caught them,
                     all three,

victoriously,

with tight lines,
and flying water,
                and the stabbing,
dodging
end of a rod.
And they fought,
each for its life,
desperate in struggle,
with splashing glory,
and the pain of survival.

But now,
with their heads gone,
I wish we could do it again.

© Peter Hartwig, 2013

Lithograph by Edouard Pingret
Wikimedia Images, from the
Bibliotheque municipale de Toulouse

Monday, July 8, 2013

After Show Aches


The cold chokes my throat igniting immunity with energy warmer than an oven of convection.
Vibrations still rattle rocked ribs, repeating rhythms, pulsing through fingertips; I am alert with agreeable adrenaline observations.
Playing stuck songs backwards and forwards, mandala hemispheres chatter with excited interpretations.
Laying my head upon thumping shoulders I shimmy in chilly acceleration.
Driving back to padded cage with pulsing hips still crying out for ambulation,
I mentally marvel at composition that continues to expose a mass to an accumulation of acculturation.
Still skipping I step into a wet jungle heat, rinsing sweat and feeling the saturation
of sweet streaming rivulets; oxygenation creating the perfect negative ionic sedation.
Stretching, sleepy articulations crack, pop, and snapple, as muscles create compositions out of yogi positions;
releasing restricted tensions, limbs curve in evolutionary arches of emancipating elevation.
Excited for ethereal fantasies, equilibrium turns exhausted orientation into disorganization.
Restful slumber permits the reclamation of youthful rejuvenation,
as peaceful dreams dance wildly to harmonious beats of ecstatic revelation.

© Sarah Bordeau-Rigertink, 2013

Dancing Moghul women. From Auguste Racinet's Le Costume Historique, originally published in France between 1876 and 1888.
from Wikimedia Images; in the public domain