Showing posts with label poets. Show all posts
Showing posts with label poets. Show all posts

Monday, May 27, 2013

Keeping Watch


Earlier today, we wound our way 
through lush lavender and green, 
bougainvillea cascading red down terra cotta walls.
A stuccoed portico covered round tiles
that spilled like pools of smooth latte 
around the curve of the pink pebbled drive.

The path around the house 
separated hibiscus from bird of paradise, 
split this shaded view of the distant ocean 
from mid afternoon sun.
Intermittent winds gusted hard, 
turning left out of Africa.

They blew harder still on the open terrace 
where brown fingers rubbed lime and salt onto glasses, 
their rims ringing with each twist 
of the hand.  
We witnessed the sea turn 
from jade to aqua then violet
while shaved ice melted into tequila.
Mammoth rocks jutted out of the water 
where longtails and cahows rested, 
keeping watch over ebb tide,
like us.  

Steel drums beckoned us down to the beach.  
We wove along the narrow path through sea grass 
onto a long pier that met the mound of late sun 
at the horizon.
The pictures we took show us in silhouette, 
orange spreading out over the water behind us. 
You can’t see our faces, 
only that 
black wind had whipped our hair out 
like the spine of the lionfish as it slid 
among crevices of a murky cave
far below low tide.  

Strange, there’s a safe abandon this far out over the water. 
Just under us waves writhe dark, foreign,
and tufts of plants with white tendrils waver 
like ghosts in slow motion.
Earlier our glass-bottomed boat slid over 
gnarled conchs and sporadic seaweed, 
and some fish like aliens walked the ocean floor.

They are below us here too, 
and more.  

This afternoon,
we had followed the flight of two lone seagulls
winging over turquoise swells,
white caps running like fingers over a key board.   
They had swooped down to fish 
from a school of grouper on the surface, 
then retreated. 
The cloudless sky had offered 
yet another empirical look,
to keep watch
over the incessant turn of  tides
and all that belongs below. 

© Susan Muse, 2013

Lionfish
Photo by Daniel Dietrick
Wikimedia Commons

Friday, November 9, 2012

A House Retires


A house is melting into its leisure.
The green tin roof bends itself into fanciful angles,
achieving arches and curves
with corners dripping
like cool summer pleasure
laid thoughtlessly in the sun. 

Creeping plants previously prohibited 
rise slowly through the shrubbery,
slide up the siding
to find windows waiting open and smiling. 
So the vines pour themselves in, filling the rooms with a leafy slosh. 
And the ceiling beams are dizzy to touch green life again.

The walls welcome
the brush of tendrils,
the pressure of clinging roots,
the ticklish cracking of the rigid plane they have courteously held 
since they were put just so.

Now their orderly particles shake loose,
dusting plaster like sugar
for beetles and flies 
who will join the celebration 
or trip away, sparkling in the breeze on their way to some new ground. 

At last
wooden posts succumb. 
They soften their knees and shoulders to test relief,
then let their work go,
curving into smiles of anticipation as the floor below them also relaxes,
and all the edified parts sink closer,
dip their toes into the cool earth cellar,
waiting for the plunge.

© Laura Seale, 2012

Abandoned House; photo by Daniel Leininger
from Wikimedia Commons

Wednesday, August 8, 2012

Give Me Something to Write


Give me something to write.
Inside me I hold a book,
Filled with page, after page, after never-ending page of hungry space.
My pages long for tales of the countless hours we’ve spent running through the night,
Of the oceans of color we’ve consumed painting the world with our souls.

There are words
That dripped from your lip like dew drops on a desert flower.
My pages thirst for them,
Were made for them,
Want  them to come home.
Send them home.
Your very walk inspires metaphors,
Metaphors with the power to make rational thought question its own existence.
Send your words and your metaphors home.
My pages will cradle them – like the moonlight,
Show them the freedom they were born to possess.

Run with me.

Let’s find our way out of this strange skin we wear,
So that we can unhide our holy.
Release the ember inside us that wants to burn like a bonfire unbridled.
This holy bonfire that burns truer than anything else that has ever burned,
This, too, would I write on my pages,
If you would let me.

My pages want only to remember:
Stories of us;
And of how we got here;
Stories of how we bent ruthlessly the rigid lines of this world’s senseless sheet music.

On those nights we ran, the paint still wet under our fingernails,
We pursued an irony we had only heard existed,
Tried to outrun a past we were destined to miss like a lost limb,
Our steps, accidental brush strokes on an ever-shifting canvas.

My pages want to remember the days,
The days when we knew what we wanted
Yet didn’t know what we knew.
We recognized beauty in all its forms.
And simplicity came naturally.
They were yours, and mine, and ours.
Send them home.

Inside me I hold a book.
So give me something to write.

© Axel Cooper, 2012

Artist Painting at Central Park
Photo by SpyON from Wikimedia Commons

Monday, March 12, 2012

Unbalance

There is a peace in the unbalance of stones at river bottom
Calm in the wind shifting
Tipping the body

Oh how I’d love
To recommit all my sins
In their raw sublime

You are the earth like everything before you
What you touched, you needed once
God called your name only once

There is a peace in reconciliation with what is
Calm in despair that is only
The shifting wind as it whispers.
© Michael Mahoney, 2012


Stones at River Bottom~Photo by Tony Russell

Monday, February 13, 2012

Bears

This one I’ve never heard
but I remember the old mountain story
about the woman who is tricked
and hands her baby over the fence
to a bear, who she thinks is her husband…
and I have dreams about bears
they change into people and change back
I change into a bear and change back
I sit in a tree and sing to one
until fierceness turns docile
like a puppy
and, god, I miss those mountains
It’s a pain in my throat and the only place
that causes me to cry when I see it and when I don’t.

So we’re all kin and we’ve all married
our kin and we continue to find them,
we continue to look for their twinkling eyes
in the hills of every place.
One may come lumbering out of a cave
give itself shape apart from the trees
and look like me and feel like me
and like the polar bear be the loneliest
--that’s because he hasn’t got any mountains.

Why do I miss it? The thing I’ve never had?
It was a distant backdrop to my childhood dramas
but a visit is a visitation
the place where mist is at dawn
where I fished on the Shenandoah
where morning glories dot even the sun.
Stories of bears reside in my flesh
what is commonplace there
becomes extraordinary elsewhere.

Aunt Han Ran may have used a broom
to chase that bear off her back porch,
I’ll invite him in to sit by the fire
dust the snow from his fur
and ask for all the things he knows.
I’ll bid him stay till spring
he may tell me where the treasure is hid
or what enchantment he is in.

I am close in nature and nature
is close inside me. Woods and Mountains
become my house and call me.
If I don’t have you covering me
I dream of bears and an ancient wooden door
and my Daddy calls to tell me mountain lore.

© Linda Suddarth, 2001


"Bears" was published in Alchemy on Sunday, Lit. journal. 
pub. through Pacifica Grad.Institute, 2001

"Mosquito and Mishka"
from Wikimedia Commons

Tuesday, February 7, 2012

Language of Light

The river doesn’t stop
on a humid afternoon — but I do.
Water and air are mingled, and
all the sounds I hear —
human, animal, elemental —
are thick with the substance of life
on this water planet.
It makes me glad —
this is much more than I had a moment ago,
driving down the road.
I hope that I shall always have
a river to stop beside,
to remind, more than the sea, that
I am on a journey into me,
that I do not and cannot belong to any creed,
that I’m a witness and a consort of truth —
so how can I believe?
Sundown low spills gold into the stream.
I just relax and get quiet, 
knowing what it means —
water is speaking in the language of light,
and if I listen just right
I get the proof —
I cannot hear
anything but truth.
I cannot hear anything
but truth.
I cannot hear anything but truth!
© Gerry Sackett, 2012

A river to stop beside; photo by Tony Russell

Monday, January 30, 2012

Instincts (a found poem from an article in The Las Vegas Review Journal)

Earlier this week,
a 3-year-old boy was
bitten and squeezed
unconscious by an 18-foot
reticulated python.
"She wasn't trying to hurt him,"
the grandmother said of the snake.
"She just instinctively, as a snake would do, coiled him."
The child's mother stabbed the snake 17
times with a kitchen knife.
"I'm so proud of my daughter," the grandmother said.
"Her mother instincts kicked in."
The snake belonged to a strip club that was being renovated.
The toddler had a few bite marks on his chest--none 
required stitches,
according to the grandmother.
"The snake was a good snake," she said.
© Linda Peterson, 2012

Reticulated python
Wikimedia photo by Mark Patterson

Sunday, January 15, 2012

The Sound Barrier

Exactly 2
That’s the number of times most people tolerate being asked:  “Could you repeat that?”
Then conversations come to an abrupt halt, like a telephone line gone dead.
No one likes being hung up on, so I pretend to understand when I don’t.
I shake my head “yes” when the answer should be “huh?”
Being hearing impaired is like filling in the blanks of a Wheel of Fortune puzzle.
Ca_ You U_de_s_a_d _he Wo_ds Comi_g out My Mou__?
My ears are constantly tuned to a station with a weak signal.
Broken radios are considered throw-away items, so I hide my affliction.
It wasn’t always this way.
At first, I tried different techniques.
I asked for specifics: “Could you repeat the last THREE words?”
I gave instructions: “It helps if you enunciate and pause between the words.”
And when that didn’t work, I asked, “Could you just write it down?”
I glanced at the paper and pen pushed back at me, the backs of those who hear well as they walked away, and wondered what seemed so unreasonable about exerting ½ the effort I did.
I have a memory.  It is of walking down the street with a friend.
He is on my right and we are talking.
He places his hands at my waist and they guide me to the right.  He shifts to my left.
He knows I can hear better that way.
When I still don’t understand what’s said, he repeats himself a 3rd time.
It isn’t just the words I hear.
It is in moments like these that I know -
Even with these defective ears -
I am able to hear everything that’s really important.
© Camisha Jones, 2012

1935 Zenith radio

Monday, January 9, 2012

EVE

Thru' its heaven this planet spins.
Night awakes to nurse her twins.
She suckles both upon her breasts;
One is evil, the other then rests.
She further feeds a famous fable--
She knows that Cain will murder Abel.
The stars come out to steal my breath;
Night has nursed her infants--Sleep & Death.
© F. Carroll Harrison, 2012

The Serpens star-forming region; photo by NASA

Monday, January 2, 2012

TWENTIETH CENTURY LIMITED

For women, the end of the twentieth century
is no big deal.
After Betty Friedan and Gloria Steinem
we had hoped for better things,
but where has all that consciousness raising gotten us?
We are stretched thin,
trying to fill the shoes of our mothers
while pushing our way
into the world of our fathers.
Meantime, we are blamed
for the problems of our children.
Some harsh master or mistress expects us to be all things,
including
having an ageless body,
incredible orgasms on demand,
and the calm nature of a Zen master.
We try for a little spiritual sustenance,
only to be bombarded by articles in women’s magazines
blithering about decorating the perfect house
in the 1950’s style.
At the same time
we are expected to whip up
a gourmet meal in twenty minutes,
not forgetting our aim
of losing twenty pounds
in ten days.
Men are discovering their inner feminine nature
as we go off to offices
dressed in tailored navy slack suits,
leaving the children in the hands of tired workers
at the local day care center.
Some call this “the sandwich generation.”
Often we must care for aging parents
while trying to cope with rebellious teenagers.  
We wonder what the new century will bring.
We begin to long for the dull world of our mothers,
who stayed at home to suckle their babies
and be there with milk and cookies
when the kindergartners came home from school.
We are told that now we can have it all.
I can’t help wondering
what “all” is.
© Peggy Latham, 2012

Gloria Steinem, 1972: Photo from
Wikimedia Commons

Wednesday, December 14, 2011

Poems for Reyn

Oh fair maiden, 
holding secrets unknown,
tucking away the hurts
that caused the flaming outbursts 
that put you in this prison tower,
taking  your sense of self 
and any power 
you might have known 
if left alone, 
holding secrets unknown. 
Oh fair maiden, 
where have you gone?
With wings clipped 
you are not allowed 
to express fully
who you are. 
In your moments of passion, 
on the outer edge
of free spirited, 
THEY decide 
you need reining in, 
without even beginning 
to hear your side 
of the story. 
And so, 
locked down, 
you comply-- 
at least for a time 
of “oh well,”
and let it go. 
I sit 
on the outside 
and wonder how 
an opportunity 
for connectedness 
and creativity 
and goodness 
got lost, 
and wonder where 
the anger went. 
© Anne Cressin, 2011

Tower of London; photo from Wikipedia Commons, by CherryX

Monday, December 5, 2011

The Corner of Second and Ho

Rounding past the meadow, east of the lake,
Agony exuberant shouts for all on the make.
Rises up the intersection where all the damned go,
For here's Hell's Hell at the corner of Second & Ho.
In one corner, poor Deek struts in fashion threadbare.
His eyes see nothing, just horizon-less despair.
"I will always be with you, I will don't you know"
Intones this broke man on the corner of Second & Ho.
Across the way, Hungry Willie lazes on a lawn chair alone.
Belly extended, guzzling booze as he gnaws a leg bone.
Reaching for coke below the awning of Wings-to-Go
He rasps, "But no one can fly from the corner of Second & Ho.”
First Class fingers the cars as they speed their merry way,
But what fear motors their hearts, no one will say.
As he pees on a pole, First Class teases those in the know
"Change’s coming at last" to the corner of Second & Ho.
Gomer hears this snide taunt and finds strength (from above?)
Out of the chop shop, she staggers into the street preaching love.
The yos & hos freeze at her words, both the high & the low
Then rush to embrace - GRACE - by the corner of Second & Ho.
As they move off the curbs, a family wagon stops in its tracks.
Windows roll up, locks snap into place, pale faces draw back.
Blessed Gomer staggers back among the meek, life's sad undertow,
Sweeping away all hope on down the corner of Second & Ho.
                                        
As the crowd departs, she snarls "Cracker" at that blue-eyed fool.
The Chevy drives on, darkness returns, again the bleary-eyed drool.
"The first may go first, but the last shall last forever and ever mo'"
Murmurs Gomer to herself athwart the corner of Second & Ho.
© Byron Harris, 2011

At the corner; photo by Tony Russell

Tuesday, November 22, 2011

Gray Smoke

Thin wisps like smoke that flee from the fire,
a fog late at night, broken down but higher,
fly past the full face of a moon I desire.
Deep in this night two bodies aspire
- Venus and Diana -
both searching the earth for the plausible
fire.
But between we three, an army expires -
tis the shades of Robert E. Lee
and the troops we admire -
thin wisps of gray smoke drawn to the fire.
They swirl down in pills,
from deep darkened hills,
into fate which was badly begotten.
This mass, this fume, is all that now looms
of an army that has never forgotten.
© Marvin Welborn, 2011

Robert E. Lee; photo by Tony Russell

Monday, November 14, 2011

i've been waiting for you --  poem for peace

psst.  i'm here.  the other side of the door.
i hear you.  you've been knocking.
are you the one who tried to turn the handle before?
turn the handle ... turn it.  push a bit harder on the door.
it isn't locked!
come in, i've been waiting.  i've been waiting for you.
CHORUS:   i am peace.  i am thought.  i am deed.  i am possible.
you got distracted.  you've been here.  i remember you.

don't carry your cell!  don't watch too much t.v.  don't waste so much time!

come back to the door.  turn the handle.  push on the door.  it's open!

come in.  i've been waiting!  i've been waiting for you.
CHORUS:   I am peace.  i am thought.  i am deed.  i am possible.
i am here.  always have been.  don't you know how easy it is to get to me?
all in your mind.  your mind.  choices.  you make choices.  choose me!
do i have to shout?  maybe.  but i don't do that.
i am quiet.  i'm here.  in here.  i really am.
i can't come to you.  you must come to me.   it's just the way it is.
make the time.  choice.  make the choice.  you can.  you can.
i've been waiting!   i've been waiting for you!!!
CHORUS:    i am peace.  i am thought.  i am deed.  i am possible.
you can do a lot.  or a little.  hey... it's up to you.  but... you have to do something!
now...  it's time.  now!  do one thing.  even one.  one thing for peace.  one.
come on,  come back to the door.  turn the handle.  push on the door.  push.
come in.  come in...  i've been waiting.  i've been waiting for you!
CHORUS:   i am peace.  i am thought.  i am deed.  i am possible!
© Charlene Roycht, 2011


Door waiting; photo by Tony Russell

Monday, November 7, 2011

In defense of five

It may not be seven's perfection
Or eight's swirling infinity
Especially not three's
Godhead
Right angle strength
balanced on curve thrill,
five is a woman erect 
on a yoga ball
Lovely and odd,
five is the midway 
point to ten, that decadent
basis of metrics and money.
Five is the State Supreme Court--
when two out of three fails,
the rock-paper-scissors plaintiff
appeals to three out of five
for a more just verdict
A smaller scale than one-to-ten,
one-to-five is thriftier, more potent
Five more minutes 
of sleep is the common man's 
dose of indulgence
In minor keys, thirds
may waver, bringing the dark,
the melancholy,
but with the integrity of 
Abraham Lincoln, the fifth
holds steady, knowing
someday the arpeggio
will once again make
a joyful noise. 
© Linda Peterson, 2011

Flowering Cherry
Five petals, five-lobed calyx;
photo by Tony Russell